<?xml version="1.0" encoding="utf-8"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><ttl>60</ttl><title>The World Is Your Oyster (theWIYO.com)</title><link>http://thewiyo.com</link><lastBuildDate>Wed, 30 May 2012 11:40:53 GMT</lastBuildDate><pubDate>Wed, 30 May 2012 11:40:53 GMT</pubDate><language>en</language><copyright /><itunes:subtitle></itunes:subtitle><itunes:author /><itunes:summary /><description /><itunes:owner><itunes:name /><itunes:email>kgoodell@gvtc.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:category text="Arts" /><item><title>Regrets- Mylene Farmer</title><link>http://thewiyo.com/2011/01/11/regrets--mylene-farmer.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;br /&gt;
Here's a beautiful song from the early 90's.&amp;nbsp; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;object height="385" width="640"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/EgkTwP1Pf4M?fs=1&amp;amp;hl=en_US"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/EgkTwP1Pf4M?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/object&gt;
&lt;p style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;strong&gt;&lt;span style="font-size: 12pt;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span&gt;Regrets lyrics&lt;/span&gt;&lt;/strong&gt; &lt;/p&gt;
&lt;p style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span&gt;En duo avec Jean-Louis Murat&lt;br /&gt;
Loin très loin du monde&lt;br /&gt;
Où rien ne meurt jamais&lt;br /&gt;
J´ai fait ce long,&lt;br /&gt;
Ce doux voyage,&lt;br /&gt;
Nos âmes se confondent&lt;br /&gt;
Aux neiges éternelles&lt;br /&gt;
L´amour cachait&lt;br /&gt;
Son vrai visage&lt;br /&gt;
Oh viens, ne sois plus sage&lt;br /&gt;
Après tout qu´importe&lt;br /&gt;
Je sais la menace&lt;br /&gt;
Des amours mortes&lt;br /&gt;
Gardons l´innocence&lt;br /&gt;
Et l´insouciance&lt;br /&gt;
De nos jeux d´antan, troublants.&lt;br /&gt;
N´aie pas de regret&lt;br /&gt;
Fais moi confiance, et penses&lt;br /&gt;
A tous les no way&lt;br /&gt;
L´indifférence des sens&lt;br /&gt;
N´aie pas des regret&lt;br /&gt;
Fais la promesse, tu sais que&lt;br /&gt;
L´hiver et l´automne n´ont pu s´aimer&lt;br /&gt;
Debout la tête ivre&lt;br /&gt;
Des rêves suspendus&lt;br /&gt;
Je bois à nos amours&lt;br /&gt;
Infirmes&lt;br /&gt;
Au vent que je devine&lt;br /&gt;
Nos lèvres éperdues&lt;br /&gt;
S´offrent des noces&lt;br /&gt;
Clandestines&lt;br /&gt;
N´ouvre pas la porte&lt;br /&gt;
Tu sais le piège&lt;br /&gt;
De tous les remords&lt;br /&gt;
De l´anathème&lt;br /&gt;
Je me fous des saisons&lt;br /&gt;
Viens je t´emmène&lt;br /&gt;
Là, où dorment ceux qui s´aiment.&lt;br /&gt;
&amp;nbsp;N´aie pas...&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;
Viens ce soir&lt;br /&gt;
&amp;nbsp;De regret &lt;br /&gt;
Viens me voir&lt;br /&gt;
&amp;nbsp;Fais moi confiance, et penses&lt;br /&gt;
&amp;nbsp;A tous... &lt;br /&gt;
Viens t'asseoir&lt;br /&gt;
&amp;nbsp;Les no way &lt;br /&gt;
Près de moi&lt;br /&gt;
&amp;nbsp;L´indifférence des sens&lt;br /&gt;
&amp;nbsp;N´aie pas... &lt;br /&gt;
L'aube est là&lt;br /&gt;
&amp;nbsp;De regret &lt;br /&gt;
Reste là&lt;br /&gt;
&amp;nbsp;Fais la promesse, tu sais que &lt;br /&gt;
Je te promets&lt;br /&gt;
&amp;nbsp;L´hiver et l´automne &lt;br /&gt;
D'être là&lt;br /&gt;
&amp;nbsp;N´ont pu s´aimer &lt;br /&gt;
Pour l'éternité&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;


&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2011/01/11/regrets--mylene-farmer.aspx#Comments</comments><guid isPermaLink="false">06e8b715-6125-4340-af48-6f3b25fc9a15</guid><pubDate>Tue, 11 Jan 2011 08:12:00 GMT</pubDate></item><item><title>Classic French song by Francoise: Comment te dire adieu.</title><link>http://thewiyo.com/2011/01/07/classic-french-song-by-francoise-comment-te-dire-adieu.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;br /&gt;
Another great classic French song by Francoise Hardy:&amp;nbsp; Comment te dire adieu. &lt;br /&gt;
&lt;object height="385" width="480"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/s7wIzUOaJ4I?fs=1&amp;amp;hl=en_US"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/s7wIzUOaJ4I?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/object&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;strong&gt;&lt;span&gt;Comment te dire adieu&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Sous aucun pretexte&lt;br /&gt;
Je ne veux&lt;br /&gt;
Avoir de reflexes&lt;br /&gt;
Malheureux&lt;br /&gt;
Il faut que tu m' explique un peu mieux&lt;br /&gt;
Comment te dire adieu&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;br /&gt;
Mon coeur de silex&lt;br /&gt;
Vite prend feu&lt;br /&gt;
Ton coeur de pyrex&lt;br /&gt;
Resiste au feu&lt;br /&gt;
Je suis bien perplexe&lt;br /&gt;
Je ne veux&lt;br /&gt;
Me resoudre aux adieus&lt;br /&gt;
Je sais bien qu'un ex&lt;br /&gt;
Amour n'as pas de chance ou si peu&lt;br /&gt;
Mais pour moi une explication voudrait mieux&lt;br /&gt;
Sous aucun pretexte&lt;br /&gt;
Je ne veux&lt;br /&gt;
Devant toi surexposer mes yeux&lt;br /&gt;
Derriere un kleenex je saurais mieux&lt;br /&gt;
Comment te dire adieu&lt;br /&gt;
Comment te dire adieu&lt;/span&gt;&lt;/p&gt;
Répétez la chanson souvent!!


&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2011/01/07/classic-french-song-by-francoise-comment-te-dire-adieu.aspx#Comments</comments><guid isPermaLink="false">f88eefae-5741-45e8-bb61-4e1ee46fef4a</guid><pubDate>Fri, 07 Jan 2011 17:40:00 GMT</pubDate></item><item><title>Official World Cup Africa Song -  people went mad for it!  Lyrics partially in French.  Enjoy!</title><link>http://thewiyo.com/2010/12/29/official-world-cup-africa-song----people-went-mad-for-it--partially-in-french--enjoy.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;br /&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:RelyOnVML/&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w&lt;img src="http://thewiyo.com/emoticons/tongue.png" border="0" /&gt;unctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w&lt;img src="http://thewiyo.com/emoticons/laugh.png" border="0" /&gt;oNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w&lt;img src="http://thewiyo.com/emoticons/laugh.png" border="0" /&gt;ontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w&lt;img src="http://thewiyo.com/emoticons/laugh.png" border="0" /&gt;ontVertAlignCellWithSp/&gt;
   &lt;w&lt;img src="http://thewiyo.com/emoticons/laugh.png" border="0" /&gt;ontBreakConstrainedForcedTables/&gt;
   &lt;w&lt;img src="http://thewiyo.com/emoticons/laugh.png" border="0" /&gt;ontVertAlignInTxbx/&gt;
   &lt;w:Word11KerningPairs/&gt;
   &lt;w:CachedColBalance/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-padding-alt:0in 5.4pt 0in 5.4pt;
	mso-para-margin-top:0in;
	mso-para-margin-right:0in;
	mso-para-margin-bottom:10.0pt;
	mso-para-margin-left:0in;
	line-height:115%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:"Times New Roman";
	mso-fareast-theme-font:minor-fareast;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;}
&lt;/style&gt;
&lt;![endif]--&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Chanson officielle Coupe
du Monde 2010 (Anglais et Francais)&lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;object width="480" height="385"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/FrBDZipJNhQ?fs=1&amp;amp;hl=en_US"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/FrBDZipJNhQ?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="385" width="480"&gt;&lt;/object&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Give me freedom,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;  give me fire  Give me reason,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;  take me
higher &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; See the champions, &amp;nbsp;&amp;nbsp; take the field now, &amp;nbsp; Unify us, &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; make us feel
proud,  In the streets,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;  our hands are lifting, &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; As we lose our inhibition, &amp;nbsp; Celebration &amp;nbsp;&amp;nbsp; it
surrounds us &amp;nbsp;&amp;nbsp;Every nations all around
us &lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Tant
que l'on avance ensemble Dans la gloire comme dans la défaite&amp;nbsp;&amp;nbsp;&amp;nbsp; Célébration Soweto France&amp;nbsp;&amp;nbsp; On a tous le même refrain en tête &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;We all say &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; &lt;strong&gt;On est des soldats &lt;span&gt; &lt;/span&gt;Sans arme au combat&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt; Ce
soir la mission&lt;span&gt;&amp;nbsp; &lt;/span&gt; C'est de chanter dans
les stades &lt;span&gt;&amp;nbsp; &lt;/span&gt;chanter dans les stades&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;When I get older, I will
be stronger, They'll call me freedom, just like a waving flag So wave your flag
Now wave your flag... &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Plusieurs
uniformes, &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; une seule passion  Derrière onze hommes, &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;une seule
nation &amp;nbsp;&amp;nbsp; Nous les enfants, &amp;nbsp; aux vies sévères &amp;nbsp;&amp;nbsp;&amp;nbsp; Voir nos champions &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;nous fait rêver&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Dans les rues, &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;nos&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&amp;nbsp;mains sont en l'air &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Marque nos humeurs,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;  joie comme colère &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Tous unis sous, &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; une
même bannière Qu'importe l'issue &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;on
a gagné&amp;nbsp;  &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Tant
que l'on avance ensemble Dans la gloire comme dans la défaite&amp;nbsp;&amp;nbsp;&amp;nbsp; Célébration Soweto France&amp;nbsp;&amp;nbsp; On a tous le même refrain en tête &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;When I get older, I will
be stronger, They'll call me freedom, just like a waving flag So wave your flag
Now wave your flag... &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;On
est des soldats  Sans arme au combat &amp;nbsp;&amp;nbsp;&amp;nbsp; Ce soir la mission &amp;nbsp; C'est de chanter dans les stades &amp;nbsp; Chanter
dans les stades... &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;When I get older, I will
be stronger, They'll call me freedom, just like a waving flag So wave your flag
Now wave your flag.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;On
est des soldats  Sans arme au combat &amp;nbsp;&amp;nbsp;&amp;nbsp; Ce soir la mission &amp;nbsp; C'est de chanter dans les stades &amp;nbsp; Chanter
dans les stades... &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;When I get older, I will
be stronger, They'll call me freedom, just like a waving flag So wave your flag
Now wave your flag... &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;On
est des soldats  Sans arme au combat &amp;nbsp;&amp;nbsp;&amp;nbsp; Ce soir la mission &amp;nbsp; C'est de chanter dans les stades &amp;nbsp; Chanter
dans les stades...&amp;nbsp; &lt;br /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: &amp;quot;segoe ui&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
Tweet</description><comments>http://thewiyo.com/2010/12/29/official-world-cup-africa-song----people-went-mad-for-it--partially-in-french--enjoy.aspx#Comments</comments><guid isPermaLink="false">a774cd1b-5002-4d4b-9853-f9a0a92953c3</guid><pubDate>Wed, 29 Dec 2010 19:49:00 GMT</pubDate></item><item><title>Love this new French artist. Song with lyrics. Voilà!</title><link>http://thewiyo.com/2010/12/16/love-this-new-french-artist-song-with-lyrics-voilà.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;object height="385" width="480"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/AbF4G_cQ8uc?fs=1&amp;amp;hl=en_US"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/AbF4G_cQ8uc?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/object&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span&gt;Je Veux&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span&gt; :&lt;br /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;Donnez moi une suite au Ritz, je n'en veux pas ! &lt;br /&gt;
&lt;br /&gt;
Des bijoux de chez CHANEL, je n'en veux pas ! &lt;br /&gt;
Donnez moi une limousine, j'en ferais quoi ? papalapapapala &lt;br /&gt;
Offrez moi du personnel, j'en ferais quoi ? &lt;br /&gt;
Un manoir a Neufchatel, ce n'est pas pour moi. &lt;br /&gt;
Offrez moi la Tour Eiffel, j'en ferais quoi ? papalapapapala &lt;br /&gt;
&lt;br /&gt;
Refrain: &lt;br /&gt;
Je Veux d'l'amour, d'la joie, de la bonne humeur, ce n'est pas votre argent qui f'ra mon bonheur, moi j'veux crever la main sur le coeur papalapapapala allons ensemble, découvrir ma liberté, oubliez donc tous vos clichés, bienvenue dans ma réalité. &lt;br /&gt;
&lt;br /&gt;
J'en ai marre de vos bonnes manières, c'est trop pour moi ! &lt;br /&gt;
Moi je mange avec les mains et j'suis comme ça ! &lt;br /&gt;
J'parle fort et je suis franche, excusez moi ! &lt;br /&gt;
Finie l'hypocrisie moi j'me casse de là ! &lt;br /&gt;
J'en ai marre des langues de bois ! &lt;br /&gt;
Regardez moi, toute manière j'vous en veux pas et j'suis comme çaaaaaaa (j'suis comme çaaa) papalapapapala &lt;br /&gt;
&lt;br /&gt;
Refain x3: &lt;br /&gt;
Je Veux d'l'amour, d'la joie, de la bonne humeur, ce n'est pas votre argent qui f'ra mon bonheur, moi j'veux crever la main sur le coeur papalapapapala Allons ensemble découvrir ma liberté, oubliez donc tous vos clichés, bienvenue dans ma réalité !&lt;/span&gt;&lt;/p&gt;
&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2010/12/16/love-this-new-french-artist-song-with-lyrics-voilà.aspx#Comments</comments><guid isPermaLink="false">c442bcb0-f909-40e6-86dd-54ff9e40ee3d</guid><pubDate>Thu, 16 Dec 2010 17:23:00 GMT</pubDate></item><item><title>Another Favorite French song to practice - repeat until memorized for incredible results</title><link>http://thewiyo.com/2010/12/15/another-favorite-french-song-to-practice-with--repeat-until-memorized-for-incredible-results.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;p&gt;&lt;object height="385" width="480"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/PjCzdywhE5o?fs=1&amp;amp;hl=en_US"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/PjCzdywhE5o?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/object&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span&gt;La Chanson de prevert&lt;/span&gt;&lt;/strong&gt; &lt;/p&gt;
&lt;p style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span&gt;Oh je voudrais tant que tu te souviennes&lt;br /&gt;
Cette chanson était la tienne&lt;br /&gt;
C'était ta préférée je crois&lt;br /&gt;
Qu'elle est de Prévert et Kosma&lt;br /&gt;
Et chaque fois "Les feuilles mortes"&lt;br /&gt;
Te rappellent à mon souvenir&lt;br /&gt;
Jour après jour les amours mortes&lt;br /&gt;
N'en finissent pas de mourir &lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span&gt;Avec d'autres, bien sur, je m'abadonne&lt;br /&gt;
Mais leur chanson est monotone&lt;br /&gt;
Et peu à peu je m'indiffère&lt;br /&gt;
A cela il n'est rien à faire &lt;br /&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span&gt;Car chaque fois les feuilles mortes&lt;br /&gt;
Te rappellent à mon souvenir&lt;br /&gt;
Jour après jour les amours mortes&lt;br /&gt;
N'en finissent pas de mourir &lt;br /&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span&gt;Peut on jamais savoir par où commence&lt;br /&gt;
Et quand finit l'indifférence&lt;br /&gt;
Passe l'automne, vienne l'hiver&lt;br /&gt;
Et que la chanson&amp;nbsp; de Prévert &lt;br /&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;p style="line-height: normal;"&gt;&lt;span&gt;Cette chanson "Les feuilles mortes"&lt;br /&gt;
S'efface de mon souvenir&lt;br /&gt;
&lt;strong&gt;|:&lt;/strong&gt; Et ce jour là mes amours mortes&lt;br /&gt;
En auront fini de mourir &lt;strong&gt;&lt;img alt="" src="http://thewiyo.com/emoticons/normal.png" style="border-width: 0px; border-style: solid;" /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;a href="http://twitter.com/share" class="twitter-share-button" data-count="none"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2010/12/15/another-favorite-french-song-to-practice-with--repeat-until-memorized-for-incredible-results.aspx#Comments</comments><guid isPermaLink="false">32352543-c361-4485-9d6e-4cbbf33b567a</guid><pubDate>Wed, 15 Dec 2010 18:21:00 GMT</pubDate></item><item><title>Excellent French song to practice/learn French</title><link>http://thewiyo.com/2010/12/13/excellent-french-song-to.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;br /&gt;
Learn French and/or increase your comprehension dramatically with music.&amp;nbsp; The results are profound.&amp;nbsp; Here's a great classic.&amp;nbsp; Lyrics below.&lt;br /&gt;
&lt;br /&gt;
&lt;object height="385" width="480"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/IOd_5ZRPmFs?fs=1&amp;amp;hl=en_US"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/IOd_5ZRPmFs?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/object&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span&gt;Tous les garcons et les filles&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Tous les garçons et les filles de mon âge&lt;br /&gt;
se promènent dans la rue deux par deux&lt;br /&gt;
tous les garçons et les filles de mon âge&lt;br /&gt;
savent bien ce que c'est d'être heureux&lt;br /&gt;
&lt;br /&gt;
et les yeux dans les yeux et la main dans la main&lt;br /&gt;
ils s'en vont amoureux sans peur du lendemain&lt;br /&gt;
oui mais moi, je vais seule par les rues, l'âme en peine&lt;br /&gt;
oui mais moi, je vais seule, car personne ne m'aime&lt;br /&gt;
&lt;br /&gt;
mes jours comme mes nuits&lt;br /&gt;
sont en tous points pareils&lt;br /&gt;
sans joies et pleins d'ennuis&lt;br /&gt;
personne ne murmure "je t'aime" à mon oreille&lt;br /&gt;
&lt;br /&gt;
tous les garçons et les filles de mon âge&lt;br /&gt;
font ensemble des projets d'avenir&lt;br /&gt;
tous les garçons et les filles de mon âge&lt;br /&gt;
savent très bien ce qu'aimer veut dire&lt;br /&gt;
&lt;br /&gt;
et les yeux dans les yeux et la main dans la main&lt;br /&gt;
ils s'en vont amoureux sans peur du lendemain&lt;br /&gt;
oui mais moi, je vais seule par les rues, l'âme en peine&lt;br /&gt;
oui mais moi, je vais seule, car personne ne m'aime&lt;br /&gt;
&lt;br /&gt;
mes jours comme mes nuits&lt;br /&gt;
sont en tous points pareils&lt;br /&gt;
sans joies et pleins d'ennuis&lt;br /&gt;
oh! quand donc pour moi brillera le soleil?&lt;br /&gt;
&lt;br /&gt;
comme les garçons et les filles de mon âge&lt;br /&gt;
connaîtrais-je bientôt ce qu'est l'amour?&lt;br /&gt;
comme les garçons et les filles de mon âge&lt;br /&gt;
je me demande quand viendra le jour&lt;br /&gt;
&lt;br /&gt;
où les yeux dans ses yeux et la main dans sa main&lt;br /&gt;
j'aurai le coeur heureux sans peur du lendemain&lt;br /&gt;
le jour où je n'aurai plus du tout l'âme en peine&lt;br /&gt;
le jour où moi aussi j'aurai quelqu'un qui m'aime&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2010/12/13/excellent-french-song-to.aspx#Comments</comments><guid isPermaLink="false">004c71e0-4db0-40c3-ba6e-e4c28f349c7d</guid><pubDate>Mon, 13 Dec 2010 18:57:00 GMT</pubDate></item><item><title>Does music help us learn language?</title><link>http://thewiyo.com/2010/12/04/does-music-help-us-learn-language.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;strong&gt;&lt;br /&gt;
The following article from Cognitive Daily supports what some of us have just begun to understand about the role music can play in learning a new language.&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://scienceblogs.com/cognitivedaily/2008/06/does_music_help_us_learn_langu.php" id="a079672"&gt;Does music help us learn language?&lt;/a&gt;
&lt;p class="categories"&gt;
Category: &lt;a href="http://scienceblogs.com/cognitivedaily/research/language/"&gt;Language&lt;/a&gt; • &lt;a href="http://scienceblogs.com/cognitivedaily/research/music/"&gt;Music and sound&lt;/a&gt; • &lt;a href="http://scienceblogs.com/cognitivedaily/research/"&gt;Research&lt;/a&gt;&lt;br /&gt;
Posted on: June 19, 2008  8:32 AM, by &lt;a href="http://scienceblogs.com/cognitivedaily"&gt;Dave Munger&lt;/a&gt;
&lt;/p&gt;
&lt;div id="entry-79672" class="entry"&gt;
&lt;p&gt;&lt;span style="float: left; padding: 5px;"&gt;&lt;a href="http://researchblogging.org/"&gt;&lt;img height="50" width="80" src="http://www.researchblogging.org/images/rbicons/ResearchBlogging-Medium-White.png" alt="ResearchBlogging.org" /&gt;&lt;/a&gt;&lt;/span&gt;One
of the first steps to learning a language is figuring out where one
word ends and the next one begins. Since fluent speakers don't generally
pause between words, it can be a daunting task. We've discussed one of
the ways people do it in &lt;a href="http://scienceblogs.com/cognitivedaily/2008/04/language_learning_trick_conson.php"&gt; this post&lt;/a&gt;
-- they focus in on consonant sounds. Other researchers have found that
we also focus on the statistical properties of language.&lt;/p&gt;
&lt;p&gt;Certain syllables are likely to follow each other within individual words, but unlikely to follow each other &lt;em&gt;between&lt;/em&gt; words. Take the phrase "between words." In English, within a single word we're much more likely to hear &lt;em&gt;bet&lt;/em&gt; followed by &lt;em&gt;ween&lt;/em&gt; than &lt;em&gt;ween&lt;/em&gt; followed by &lt;em&gt;wor&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Researchers have found that if you make up nonsense words like &lt;em&gt;gimysi&lt;/em&gt; and &lt;em&gt;mimosi&lt;/em&gt;
and play a constant stream of these words to listeners, the listeners
will eventually figure out the boundaries of the words based solely on
the statistical properties of the words.&lt;/p&gt;
&lt;p&gt;But still, it can take a long time to pick up the word boundaries. A team led by Daniele Schön invented just six words: &lt;em&gt;gimysi, mimosi, pogysi, pymiso, sipygy,&lt;/em&gt; and &lt;em&gt;sysipi&lt;/em&gt;,
and after seven minutes of listening to these words repeated in random
order, student volunteers couldn't distinguish between them. It took
over 20 minutes for listeners to learn where one word started and the
next one ended. &lt;/p&gt;
&lt;div id="more"&gt;
&lt;p&gt;Schön's team suspected that &lt;em&gt;singing&lt;/em&gt; the words
might improve listeners' ability to parse them. After all, mothers
often sing to their infants. Perhaps one purpose of singing is to help
children learn language faster. In a second experiment, the researchers
assigned a unique pitch to each of the syllables used in their six words
(&lt;em&gt;gi&lt;/em&gt; was C5, &lt;em&gt;my&lt;/em&gt; was D5, and &lt;em&gt;sy&lt;/em&gt; was F5, and so
on).  A speech synthesizer played back the words in a sing-song
fashion, with a musical note assigned to each syllable. &lt;/p&gt;
&lt;p&gt;After listening to the words for seven minutes, the volunteers were
tested. They heard three-syllable "words" from the original list and
partial words composed of fragments of real words (for example, &lt;em&gt;mysimi&lt;/em&gt;, made from &lt;em&gt;gimysi&lt;/em&gt; and &lt;em&gt;mimosi&lt;/em&gt;). How accurate were listeners at identifying the original words? Here are the results:&lt;/p&gt;
&lt;p class="center"&gt;
&lt;img height="307" width="400" src="http://scienceblogs.com/cognitivedaily/2008/06/19/schon1.gif" alt="schon1.gif" /&gt;
&lt;/p&gt;
&lt;p&gt;The dotted line in each graph represents the average score for all
listeners, and each square is the average score for an individual
listener. As you can see, in the speech-only experiment, listeners did
no better than chance. But in the second experiment, nearly everyone did
better than chance, and the average score was 64 percent correct --
significantly better than chance performance. Simply associating each
syllable with a musical note improved performance.&lt;/p&gt;
&lt;p&gt;But in real songs, syllables aren't always matched with the same
notes. Sometimes different syllables get the same note, and sometimes
the same syllable is sung with a different note. In a third experiment,
Schön's team allowed the notes to vary with each syllable. Again,
listeners could identify words at a rate better than chance (though they
weren't as good as in the second experiment).&lt;/p&gt;
&lt;p&gt;Schön and her colleagues don't go so far as to argue that music is a &lt;em&gt;requirement&lt;/em&gt;
for learning language, but they do make the case that the extra
information provided in music can facilitate language learning. They
also suggest that other information, like gestures, might be equally
helpful for learning a language.&lt;/p&gt;
&lt;p&gt;But there is additional evidence suggesting that music plays an
important role in language. Similar areas of the brain are activated
when listening to or playing music and speaking or processing language.
Language and music are both associated with emotions. And of course, we
know that children -- especially small children -- really &lt;em&gt;like&lt;/em&gt; music. This study offers another bit of evidence that the link between language and music may be a fundamental one.&lt;/p&gt;
&lt;blockquote&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;amp;rft.jtitle=Cognition&amp;amp;rft.atitle=Songs+as+an+aid+for+language+acquisition&amp;amp;rft.date=2008&amp;amp;rft.volume=106&amp;amp;rft.issue=2&amp;amp;rft.spage=975&amp;amp;rft.epage=983&amp;amp;rft.artnum=http%3A%2F%2Flinkinghub.elsevier.com%2Fretrieve%2Fpii%2FS0010027707000868&amp;amp;rft.au=D+Schon&amp;amp;rft.au=I+Peretz&amp;amp;rft.au=M+Besson&amp;amp;rft.au=M+Boyer&amp;amp;rft.au=R+Kolinsky&amp;amp;rft.au=S+Moreno" class="Z3988"&gt;D Schon, I Peretz, M Besson, M Boyer, R Kolinsky, S Moreno (2008). Songs as an aid for language acquisition &lt;span style="font-style: italic;"&gt;Cognition, 106&lt;/span&gt; (2), 975-983 DOI: &lt;a href="http://dx.doi.org/10.1016/j.cognition.2007.03.005" rev="review"&gt;10.1016/j.cognition.2007.03.005&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://scienceblogs.com/cognitivedaily/2008/06/does_music_help_us_learn_langu.php&lt;br"&gt;scienceblogs.com/cognitivedaily/2008/06/does_music_help_us_learn_langu.php&lt;br&lt;/a&gt; /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;/blockquote&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2010/12/04/does-music-help-us-learn-language.aspx#Comments</comments><guid isPermaLink="false">ad696e17-ee85-4351-afcc-c4c8d64cbdbf</guid><pubDate>Sat, 04 Dec 2010 21:10:00 GMT</pubDate></item><item><title>Continuing on with French</title><link>http://thewiyo.com/2010/12/04/continuing-on-with-french.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;div&gt;&lt;span style="font-family: arial; font-size: 13px;"&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-family: verdana; font-size: 13px;"&gt;My last post was a few years ago.&amp;nbsp; It's been a
busy time. We moved out of state and after two years at the Lyc&lt;span style="font-size: 11pt; line-height: 115%; font-family: 'segoe ui','sans-serif';"&gt;é&lt;/span&gt;e,
I finally realized it was up to me to keep the girls up on their French.&amp;nbsp; The
interesting thing is, I improved my own French in the most dramatic way during
this same two year period.&amp;nbsp; I'd had 6 years of French (beginning in 7th grade),
followed by four years in college, and a six month semester at the University of
Paris.&amp;nbsp; Clearly, living in Paris was the ultimate learning experience.&amp;nbsp; However,
upon my return to the States I very quickly realized the change in my
comprehension once I immersed myself in French music.&amp;nbsp; It was a profound
difference.&amp;nbsp; At the Lyc&lt;span style="font-size: 11pt; line-height: 115%; font-family: 'segoe ui','sans-serif';"&gt;é&lt;/span&gt;e
music is a huge part of the children's curriculum at all ages.&amp;nbsp; This is not only
for building language skills but equally for cultural emphasis.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-family: verdana; font-size: 13px;"&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-family: verdana; font-size: 13px;"&gt;So we now listen to French music regularly.&amp;nbsp; I
have scoured so many sources (including the internet) for my favorite songs and
created lyric scripts so we can sing along.&amp;nbsp; I'll be sharing many of these songs
here so if you are also learning French, check back and listen to some great
music while you learn.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-family: verdana; font-size: 13px;"&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-family: verdana; font-size: 13px;"&gt;I have so much passion for this language...it
really moves me.&lt;/span&gt;&lt;/div&gt;
&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2010/12/04/continuing-on-with-french.aspx#Comments</comments><guid isPermaLink="false">195a84e2-af32-4e26-93b1-901ba73b87fa</guid><pubDate>Sat, 04 Dec 2010 21:05:00 GMT</pubDate></item><item><title>Forward Thinking Parents Exposing Children To Foreign Language In Early Years</title><link>http://thewiyo.com/2010/12/04/forward-thinking-parents-exposing-children-to-foreign-language-in-early-years.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;div&gt;&lt;span style="font-size: 13px;"&gt;&lt;br /&gt;
CHANGE: the world is changing .&amp;nbsp; Our planet is
changing. As Americans... we want our future president to bring about
change in our Government.&amp;nbsp; What about ourselves as individuals?&amp;nbsp; Can or
should Americans get out of the frame of mind that the world revolves
around us.&amp;nbsp;&amp;nbsp;&amp;nbsp;With respect to Foreign Language, should we rely on the
fact that most other countries we interact with speak our language?&amp;nbsp;&amp;nbsp;
Technology is enabling other countries to catch up with us in so many
ways.&amp;nbsp;&amp;nbsp;Yet in many ways, we as Americans&amp;nbsp;are not making the shift
towards true global thinking.&amp;nbsp; &lt;br /&gt;
&lt;br /&gt;
Our Government recognizes the
need for our Country to&amp;nbsp;teach&amp;nbsp;and expose our children to other cultures
and&amp;nbsp;languages.&amp;nbsp; There are articles about Govenment initiatives
that&amp;nbsp;leaders&amp;nbsp;have tried to implement on this subject for more than two
decades.&amp;nbsp; Nothing of major significance has been implemented (except in
the private sector and in small regional localities).&amp;nbsp;&amp;nbsp; At least none
that I have been able to locate in my research.&amp;nbsp;&amp;nbsp;If you know of any, I
would love to hear from you.&lt;br /&gt;
&lt;br /&gt;
The rest of the world lives by this
way of thinking.&amp;nbsp; We are so isolated, as a country.&amp;nbsp; Living in most any
part of Europe, one is often only a few hours drive from another
foreign&amp;nbsp;Country with all its customs and language.&amp;nbsp; I suppose this makes
it more natural or&amp;nbsp;logical for them to learn about each other.&amp;nbsp; The
resulting riches to these peoples is immeasureable and includes
a&amp;nbsp;global&amp;nbsp;sophistication that many Americans lack.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-size: 13px;"&gt;So, I hope to get a feel for Americans thoughts and
impressions about the subject of teaching Foreign Language for our
children.&amp;nbsp;&amp;nbsp; I strongly believe in the importance of this topic.&amp;nbsp; Our
children are enrolled at a French Immersion school, which they began
September 2007.&amp;nbsp; This is the first step of many in which we hope will
lead to a richer appreciation for this world and to give our children a
competitive advantage in their futures.&lt;br /&gt;
&lt;br /&gt;
I love this school!&amp;nbsp;&amp;nbsp;On
the first day, entering the grounds&amp;nbsp;and hearing all the languages spoken
by the parents, Bonjour, ca va, Oui ca va... Bonjour, Bonjour, I felt
the thrill of an adventure, as if I were overseas.&amp;nbsp;In my older daughters
1st grade class, the majority of the children in the classroom speak
3, 4 and even 5 languages already.&amp;nbsp; My daughter is one of a few that is
only starting her second.&amp;nbsp; English is the language that the children
speak together on the playground.&amp;nbsp; The&amp;nbsp;families are&amp;nbsp;many diiferent
combinations of American, French, British,&amp;nbsp;Dutch, Russian, Spanish, Arabic, Italian and others.
&amp;nbsp;Being able to expose the kids to so many cultures is very fulfilling.&amp;nbsp; &lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-size: 13px;"&gt;One day recently as I went to pick up my
kindergartner a little early from her classroom,&amp;nbsp;I heard a slightly loud
chanting as I approached the door.&amp;nbsp; I opened the door not sure if I was
interrupting...to see the kinder teacher with her arm raised high in
the air, encouraging the children to join in&amp;nbsp;the phrase "Vivent le roi et
la reine"!!!&amp;nbsp; "Vivent le roi et la reine"!&amp;nbsp; She cheered (Long live the
king and the queen)! Such passion is contagious!!&amp;nbsp; This was Roi de la
Galette week.&amp;nbsp; A week where the school recognizes a French holiday where
a special pastry type of cake is&amp;nbsp;baked by all the people of the towns.&amp;nbsp;
Inside is a little figurine and the lucky child who finds it gets to
wear a crown for the day.&amp;nbsp;&amp;nbsp;It's the Galette des Rois.&amp;nbsp; The feast of Kings!&amp;nbsp; This
type of activity is a regular thing in the Lycee.&amp;nbsp;This is a full French
immersion school where all instruction in the classroom is done in French (except&amp;nbsp;for one&amp;nbsp;hour per day of English) .&amp;nbsp; There&amp;nbsp;is exposure
to&amp;nbsp;many cultures and customs and teaching&amp;nbsp;is done from a global
perspective.&amp;nbsp;Overall it has been an incredible experience.&amp;nbsp;I believe we
put our girls into the school&amp;nbsp;just before we missed the opportunity.&amp;nbsp; The
school recommends getting the children&amp;nbsp;in as young as possible
-&amp;nbsp;preschool age.&amp;nbsp; Learning a new Language at a young age is almost
effortless as compared to learning languages as an adult.&amp;nbsp;&amp;nbsp;&amp;nbsp;We plan in
the future to begin to learn Mandarin Chinese as a family at home, and
continue through at the Lycee.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-size: 13px;"&gt;&amp;nbsp;&lt;br /&gt;
&lt;/span&gt;&lt;span style="font-size: 13px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2010/12/04/forward-thinking-parents-exposing-children-to-foreign-language-in-early-years.aspx#Comments</comments><guid isPermaLink="false">2785f7de-8435-4fa1-8763-e55569ef01f0</guid><pubDate>Sat, 04 Dec 2010 19:16:00 GMT</pubDate></item><item><title>Reasons to Learn Foreign Languages</title><link>http://thewiyo.com/2010/12/04/reasons-to-learn-foreign-languages.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;div&gt;
&lt;ol&gt;
    &lt;li&gt;
    &lt;div&gt;C&lt;span style="font-family: arial; font-size: 13px;"&gt;areer advancement/ higher pay/ better positions/ little or no competition.&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div&gt;&lt;span style="font-family: arial; font-size: 13px;"&gt;Personal self confidence and&amp;nbsp;enrichment.&amp;nbsp; Builds a sense of pride and empowerment.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div&gt;&lt;span style="font-family: arial; font-size: 13px;"&gt;Be part of the new global civilization. &lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div&gt;&lt;span style="font-family: arial; font-size: 13px;"&gt;Be a better representative of America.&amp;nbsp;&amp;nbsp;Other cultures learn our language, we should&amp;nbsp;do the same / new thinking.&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div&gt;&lt;span style="font-family: arial; font-size: 13px;"&gt;Forward thinking parents are pursuing
    foreign languages for their children.&amp;nbsp;&amp;nbsp;Today, our children are part of
    this small group&amp;nbsp;in this country.&amp;nbsp; We consider this a "gift" to our kids
    for their future, as I considered my parents game me this&amp;nbsp;gift of
    language.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
    &lt;div&gt;&lt;span style="font-family: arial; font-size: 13px;"&gt;Widely accepted fact that children who
    are bilingual or mulitlingual have greater brain cognition.&amp;nbsp; This has
    been demonstrated in many test groups with drastically better scores on
    Standardized tests in Elementary Grades through to&amp;nbsp;College tests such as
    SAT and ACT.&lt;/span&gt;&lt;/div&gt;
    &lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
&lt;a data-count="none" class="twitter-share-button" href="http://twitter.com/share"&gt;Tweet&lt;/a&gt;
&lt;script type="text/javascript" src="http://platform.twitter.com/widgets.js"&gt;&lt;/script&gt;</description><comments>http://thewiyo.com/2010/12/04/reasons-to-learn-foreign-languages.aspx#Comments</comments><guid isPermaLink="false">28b06490-35f5-442b-92e3-315c5a0f34bc</guid><pubDate>Sat, 04 Dec 2010 19:14:00 GMT</pubDate></item><item><title>Repairing America's Human Rights Reputation</title><link>http://thewiyo.com/2009/05/23/repairing-americas-human-rights-reputation.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>“Repair America’s Human Rights Reputation”—An op-ed by Dean Harold Hongju KohAugust 6, 2007&lt;br&gt;&lt;br&gt;&lt;br&gt;The following op-ed appeared in the Summer 2007 issue of the &lt;span style="font-style: italic; "&gt;Yale Law Report&lt;/span&gt; as part of a collection of op-eds written by faculty members detailing their thoughts about the direction the next presidential administration could take. To read the full collection of op-eds, visit &lt;a target="_blank" href="http://ylr.law.yale.edu/archive/2007/07/18/a-wish-list-for-the-new-administration.aspx" style="color: rgb(187, 119, 34); text-decoration: underline; "&gt;Yale Law Report [Online]&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;span style="font-weight: bold; "&gt;“Repair America’s Human Rights Reputation”&lt;/span&gt;&lt;br&gt;&lt;span style="font-style: italic; "&gt;Harold Hongju Koh, Dean and Gerard C. and Bernice Latrobe Smith Professor of International Law at Yale Law School, served as Assistant Secretary of State for Democracy, Human Rights and Labor from 1998-2001.&lt;/span&gt;&lt;br&gt;&lt;br&gt;The Pew Global Attitudes Project recently found, after interviewing 110,000 people in 50 countries, that the United States’ image has plummeted abroad since September 11, due in good part to a decline in America’s perceived commitment to human rights and the rule of law. Six years of defining our human rights policy almost entirely through the lens of the War on Terror have diminished our human rights reputation, given cover to abuses committed by our allies in that “war,” blunted our ability to criticize and deter gross violators elsewhere, and lowered America’s standing as the world’s human rights leader. To repair America’s damaged human rights reputation, the next Administration should take immediate steps to put America’s own human rights house in order, to renew its support of multilateral human rights efforts, to end the ongoing genocide in Darfur, and to restore its own reputation for truthtelling about human rights.&lt;br&gt;&lt;br&gt;Putting the U.S. human rights house in order would entail not just closing Guantanamo as soon as possible, but also: revising the flawed 2006 Military Commissions Act to ensure availability of the writ of habeas corpus to alleged terrorist detainees; unambiguously banning the use of torture and cruel treatment by U.S. personnel and contractors anywhere in the world—with an enumerated list of forbidden practices (such as waterboarding) that can be monitored by admission of the International Committee of the Red Cross into U.S.-operated or controlled detention facilities; and ending the practice of “extraordinary rendition.”&lt;br&gt;&lt;br&gt;Concrete steps to restore our human rights multilateralism would include: sending a Special Envoy to the new U.N. Human Rights Council; shifting formally to a policy of constructive engagement with the International Criminal Court; reinitiating a human rights diplomatic process with regard to Iraq following the recommendations of the Iraq Study Group Report; joining new multilateral human rights treaties, such as Convention on Protection of All Persons from Enforced Disappearance and the Convention on the Rights of Persons with Disabilities (both of which the United States recently backed away from); supporting the Community of Democracies and using that ad hoc multilateral body to support democratic transitions in particular countries, such as Cuba; and promoting “Private-Public” partnerships between governments and multinational corporations to ensure the growth of internet freedom and human rights in China (especially as the 2008 Olympics approach) as well as greater access to essential medicines and the end of “blood resources” (especially oil and diamonds) in Africa.&lt;br&gt;&lt;br&gt;A third necessary and belated step would be to take firm and immediate action to end the genocide in Darfur. While proposals for intervention vary, indispensable to all are “the 4 Ps”: first, initiating a Peace Process; second, calling for immediate deployment of Peacekeepers into Darfur—with a deadline for Khartoum’s acceptance of such a force, to help achieve an enforceable ceasefire that could lead to a sustainable political settlement; third, Protecting People, both the mass of trans-border refugees and the internally displaced; and fourth, Punishing Perpetrators, by promoting four kinds of accountability: (1) new targeted sanctions (such as travel bans and assets freezes) upon individuals named in the U.N. Commission of Inquiry Report on Darfur and upon Sudanese companies owned by ruling party officials doing business abroad; (2) sanctions targeted at revenue flows from the “blood oil” sector; (3) capital market sanctions imposed upon foreign firms who deal with Khartoum; and (4) mechanisms for sharing information with the International Criminal Court to accelerate indictments against responsible Khartoum officials.&lt;br&gt;&lt;br&gt;Fourth and finally, the State Department’s Annual Country Reports on Human Rights Practices have increasingly begun to shade or underreport the truth about human rights violations by our allies, especially those such as Egypt and Pakistan, who support us in the War on Terror. Nor has the State Department done enough to ensure that these Country Reports are made widely available in the very countries whose human rights conduct is being described.&lt;br&gt;&lt;br&gt;This may seem like a long “To Do List” for the next Administration. But America’s human rights reputation defines who we are as a nation and a people. What the last six years have taught is that restoring that human rights reputation is simply too important a task to be left to politicians. Restoring our human rights reputation should be a core challenge for all thinking lawyers, educators, and law students, who are the ultimate guardians of the rule of law.&lt;br&gt;&lt;br&gt;&lt;div class="clearDiv" style="clear: both; "&gt;&lt;div class="footer" style="color: rgb(255, 255, 255); clear: both; width: 730px; font-size: 11px; margin-left: auto; margin-right: auto; padding-top: 15px; padding-right: 15px; padding-bottom: 15px; padding-left: 15px; text-align: left; "&gt;© 2009 Yale Law School. &lt;a href="http://www.law.yale.edu/about/5353.htm"&gt;http://www.law.yale.edu/about/5353.htm&lt;/a&gt;&lt;br&gt;127 Wall Street, New Haven, CT 06511, 203-432-4992&lt;/div&gt;&lt;/div&gt;</description><category>Repairing America's Reputation in the World</category><comments>http://thewiyo.com/2009/05/23/repairing-americas-human-rights-reputation.aspx#Comments</comments><guid isPermaLink="false">e60773e5-6045-4073-a41f-985a2be62892</guid><pubDate>Sat, 23 May 2009 19:41:00 GMT</pubDate></item><item><title>Foreign Language Education Advantages</title><link>http://thewiyo.com/2008/06/18/foreign-language-education-advantages.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;font size="2"&gt;&lt;b&gt;&lt;span class="sub_black"&gt;&lt;font size="3"&gt;&lt;font size="1"&gt;source: &lt;a href="http://www.associatedcontent.com/article/222395/foreign_language_education_advantages.html?cat=37"&gt;&lt;font size="1"&gt;AssociatedContent&lt;/font&gt;&lt;br&gt;&lt;/a&gt;&lt;/font&gt;&lt;br&gt;Why Do We Need to Concentrate More on Foreign Language Education?&lt;/font&gt;&lt;/span&gt; &lt;/b&gt;
&lt;/font&gt;&lt;div id="spacer_2"&gt;&lt;/div&gt;
&lt;div&gt;
&lt;table style="margin: 5px 0px 10px; width: 460px;" border="0" cellpadding="0" cellspacing="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style="width: 57px;" valign="top"&gt;&lt;a title="http://www.associatedcontent.com/user/63193/joshua_cook.html" href="http://www.associatedcontent.com/user/63193/joshua_cook.html"&gt;&lt;img title="http://www.associatedcontent.com/user/63193/joshua_cook.html" src="http://images-cdn01.associatedcontent.com/usr/user_0000063193.jpg" border="0"&gt;&lt;/a&gt; &lt;/td&gt;
&lt;td style="border-right: 1px solid rgb(239, 239, 239); padding-right: 10px; font-size: 12px; width: 170px; color: rgb(102, 102, 102);" valign="top"&gt;&lt;a class="link_orange" title="http://www.associatedcontent.com/user/63193/joshua_cook.html" href="http://www.associatedcontent.com/user/63193/joshua_cook.html"&gt;&lt;font size="1"&gt;&lt;b&gt;By Joshua Cook&lt;/b&gt;&lt;/font&gt;&lt;/a&gt;&lt;br&gt;&lt;font size="1"&gt;&lt;b&gt;Published Apr 27, 2007&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;font size="2"&gt;Although national reports detail the need for Americans to be competent in other languages and cultures, only a handful of states have actually required foreign language be taught in elementary schools. Local districts are the cause for most long-standing elementary programs, like the Foreign Language in the &lt;/font&gt;&lt;a class="link" title="http://www.associatedcontent.com/article/222395/theme/325/elementary_schools.html
elementary schools" href="http://www.associatedcontent.com/article/222395/theme/325/elementary_schools.html"&gt;&lt;font size="2"&gt;Elementary Schools&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt; (FLES) program. In this program, courses are offered sequentially, beginning in primary grades and continuing through high school. Districts still face challenges in implementing programs like this, due to lack of support from state or federal levels; such as finding teachers adequately prepared in foreign languages.&lt;br&gt;&lt;br&gt;The absence of a national curriculum and policy on foreign language studies has caused some districts to implement better policies, while others have chosen to eliminate programs altogether. While this is still largely due to budget restraints, the main problem lies in the fact that the benefits of early foreign language study isn't socially recognized or understood. Since it is commonly understood that the longer you study a foreign language, the more proficient you become, it stands to reason that the benefits become more important the longer you study another language.&lt;br&gt;&lt;br&gt;The advantages to starting children learning foreign language at a young are significant. During their elementary school years, children are open to a better global understanding, so the learning of a different language and culture further that development greatly. This study of these programs also increases basic skills performance in elementary school. Connections have been found to creativity, memory, and listening skills as well.&lt;/font&gt;&lt;/div&gt;
&lt;div&gt;&lt;font size="2"&gt;&amp;nbsp;&lt;/font&gt;&lt;/div&gt;
&lt;div&gt;&lt;font size="2"&gt;Research studies also indicate that studying another language may give students the "edge" needed to succeed in later education levels. A study of over 17,000 students applying for college admission revealed that students who had completed a foreign language course in &lt;/font&gt;&lt;a class="link" title="http://www.associatedcontent.com/article/222395/theme/359/index.html
high school" href="http://www.associatedcontent.com/article/222395/theme/359/index.html"&gt;&lt;font size="2"&gt;high school&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt; tended to have higher scores on the ACT exams in English and math regardless of their ability level. It has also been found that &lt;/font&gt;&lt;a class="link" title="http://www.associatedcontent.com/article/222395/theme/359/index.html
high school" href="http://www.associatedcontent.com/article/222395/theme/359/index.html"&gt;&lt;font size="2"&gt;high school&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt; foreign language students perform significantly better on the SAT verbal exam than monolingual students. SAT verbal skills also increase successively with each half year of foreign language study.&lt;br&gt;&lt;br&gt;Once we get to the colleges and &lt;/font&gt;&lt;a class="link" title="http://www.associatedcontent.com/article/222395/theme/679/universities.html
universities" href="http://www.associatedcontent.com/article/222395/theme/679/universities.html"&gt;&lt;font size="2"&gt;universities&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt; of our country, one of the problems we face is that, like the individual school districts and communities, they tend to do their own thing. The fact still remains that a very substantial portion of basic foreign language &lt;/font&gt;&lt;a class="link" title="http://www.associatedcontent.com/article/222395/theme/513/instruction.html
instruction" href="http://www.associatedcontent.com/article/222395/theme/513/instruction.html"&gt;&lt;font size="2"&gt;instruction&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt; is carried out in the collegiate level. Approximately one in every five students enrolled in language studies is studying at the college level. The result is that there is a major structural challenge in the layers of language learning systems. Ideally, the transition in these foreign language courses should be smooth and well articulated. Too often, the various levels of language-learning systems march to different drummers.&lt;br&gt;&lt;br&gt;The result is considerable slippage in language study between &lt;/font&gt;&lt;a class="link" title="http://www.associatedcontent.com/article/222395/theme/359/index.html
high school" href="http://www.associatedcontent.com/article/222395/theme/359/index.html"&gt;&lt;font size="2"&gt;high school&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt; and collegiate levels. Most students arrive in college already having had a substantial amount of language study, which is attributed to students' desires for college admission. However, most institutions of higher education do not require foreign language study for entry. This shows remarkably little attention paid at this level to building on the foundation acquired during high school. In a comprehensive survey of college students conducted by the Department of Education, the proportion of students taking no language courses was 58.4 percent. So basically, while almost two-thirds of students arrive at college with some language instruction, more than half of take no language classes at all.&lt;br&gt;&lt;br&gt;Yet another problem with our current educational system's attitudes towards foreign language education is that it is overwhelmingly focused on the lower skill levels. In both high &lt;/font&gt;&lt;a class="link" title="http://www.associatedcontent.com/article/222395/theme/630/schools.html
schools" href="http://www.associatedcontent.com/article/222395/theme/630/schools.html"&gt;&lt;font size="2"&gt;schools&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt; and colleges, the dropout rate is about fifty percent from one year to the next in foreign language studies. A part of this is due to the fact that the system is set up to only require one to two years of study at both levels. These elementary skill levels do little, if anything, to enable students to use what they learn as a vehicle for communication.&lt;br&gt;&lt;/font&gt;&lt;/div&gt;
&lt;div&gt;&lt;font face="Arial"&gt;&lt;font size="2" face="Verdana"&gt;Perhaps this problem is caused, in part, by the fact that American adults do not see a need to learn a foreign language. The commitments required to become proficient in another language, in their mind, outweighs any use they may get out of that knowledge. In some cases it is becoming more beneficial for working adults to learn a second language, usually Spanish, but until those that do the hiring actually push for more proficient language skills, the motivation will still remain low for adults.&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;font face="Arial"&gt;&lt;/font&gt;</description><comments>http://thewiyo.com/2008/06/18/foreign-language-education-advantages.aspx#Comments</comments><guid isPermaLink="false">9ebda1ba-1533-446e-bd97-2ccb539ba3cf</guid><pubDate>Wed, 18 Jun 2008 19:53:00 GMT</pubDate></item><item><title>Caruso by Lucia Dalla</title><link>http://thewiyo.com/2008/06/17/caruso-by-lucia-dalla.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;div&gt;&lt;font size="2"&gt;Saluto!&amp;nbsp;&amp;nbsp;My first entry in "Favorite things from here and there",&amp;nbsp;is&amp;nbsp;this incredible Italian song.&amp;nbsp; This song is... P A S S I O N A T E ... and lovely....see for yourself...&lt;/font&gt;&lt;/div&gt;
&lt;div&gt;&lt;font face="Arial" size="2"&gt;&lt;/font&gt;&amp;nbsp;&lt;/div&gt;
&lt;div align="center"&gt;&lt;font face="Arial" size="2"&gt;Caruso by Lucia Dalla&lt;/font&gt;&lt;br&gt;&lt;embed src="http://www.youtube.com/v/MOq2HWAguAU&amp;amp;hl=en" type="application/x-shockwave-flash" height="344" width="425"&gt; 
&lt;div&gt;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;font size="3"&gt;Caruso&lt;/font&gt;&lt;/strong&gt;&lt;br&gt;&lt;font size="1"&gt;&lt;strong&gt;( Lucio Dalla )&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Qui dove il mare luccica,&lt;br&gt;e tira forte il vento&lt;br&gt;su una vecchia terrazza&lt;br&gt;davanti al golfo di Surriento&lt;br&gt;un uomo abbraccia una ragazza,&lt;br&gt;dopo che aveva pianto&lt;br&gt;poi si schiarisce la voce,&lt;br&gt;e ricomincia il canto.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Ti voglio bene assaje,&lt;br&gt;ma tanto tanto bene sai&lt;br&gt;è una catena ormai,&lt;br&gt;che scioglie il sangue dint' 'e 'vvene sai.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Vide le luci in mezzo al mare,&lt;br&gt;pensò alle notti là in America&lt;br&gt;ma erano solo le lampare&lt;br&gt;nella bianca scia di un'elica&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;sentì il dolore nella musica,&lt;br&gt;si alzò dal pianoforte&lt;br&gt;ma quando vide la luna uscire da una nuvola&lt;br&gt;gli sembrò più dolce anche la morte&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;guardò negli occhi la ragazza,&lt;br&gt;quelli occhi verdi come il mare&lt;br&gt;poi all'improvviso uscì una lacrima,&lt;br&gt;e lui credette di affogare&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Ti voglio bene assaje,&lt;br&gt;ma tanto tanto bene sai&lt;br&gt;è una catena ormai,&lt;br&gt;che scioglie il sangue dint' 'e 'vvene sai&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Potenza della lirica,&lt;br&gt;dove ogni dramma è un falso&lt;br&gt;che con un po' di trucco e con la mimica&lt;br&gt;puoi diventare un altro&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;ma due occhi che ti guardano&lt;br&gt;così vicini e veri&lt;br&gt;ti fan scordare le parole,&lt;br&gt;confondono i pensieri&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;così diventa tutto piccolo,&lt;br&gt;anche le notti là in America&lt;br&gt;ti volti e vedi la tua vita&lt;br&gt;come la scia di un'elica&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;ma sì, è la vita che finisce,&lt;br&gt;ma lui non ci pensò poi tanto&lt;br&gt;anzi si sentiva già felice,&lt;br&gt;e ricominciò il suo canto&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Ti voglio bene assaje,&lt;br&gt;ma tanto tanto bene sai&lt;br&gt;è una catena ormai,&lt;br&gt;che scioglie il sangue dint' 'e 'vene sai&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Ti voglio bene assaje,&lt;br&gt;ma tanto tanto bene sai&lt;br&gt;è una catena ormai,&lt;br&gt;che scioglie il sangue dint' 'e 'vene sai...&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;...dint' 'e 'vene sai ...&lt;br&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</description><comments>http://thewiyo.com/2008/06/17/caruso-by-lucia-dalla.aspx#Comments</comments><guid isPermaLink="false">ba6c2e65-6478-4c0c-b9ce-a60c9c62e774</guid><pubDate>Tue, 17 Jun 2008 19:03:00 GMT</pubDate></item><item><title>Foreign Film Reviews</title><link>http://thewiyo.com/2008/06/15/foreign-film-reviews.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Jean de Florette / Manon des Sources &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/5stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;I just watched this again for the first time in about a decade. The two films form one of the greatest epic sagas of all time. The films rival the Godfather trilogy as one of the best movies ever made. Some similarity with the Godfather can be found in scope and style and score (although not in story).&lt;br&gt;&lt;br&gt;Claude Berri makes fantastic use of subtle foreshadowing and symbolism to haunt us with a sense of impending doom, though we can't help but succumb to Depardieu's contagious enthusiasm.&lt;br&gt;&lt;br&gt;Note how big a role water plays in almost every aspect of both films.&lt;br&gt;&lt;br&gt;At first viewing, you might despise the actor who plays Galinette Ugolin for his boorish look, his simple mind and his twisted thought process. However, watch some of Daniel Auteuil's more recent work such as Cache and Apres Vous, and you'll agree he's a thespian genius. Depardieu is at his best in Jean des Florrette. Emmanuel Beart got her first major film role as the teenage Manon (she later married Auteuil and starred in Mission Impossible).&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0091288/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/jean.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Jane Eyre &lt;/font&gt;&lt;font size="2"&gt;(United Kingdom)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/5stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;There are twenty theatrical and television versions of Jane Eyre; I've seen five and recommend this as the best.&lt;br&gt;&lt;br&gt;The use of relative unknowns in the lead roles works well, and their performances are first rate.&lt;br&gt;&lt;br&gt;The direction and screenplay subtly but effectively create the elements of foreshadowing and muted tension that make such Victorian period pieces come to life.&lt;br&gt;&lt;br&gt;The film has you rooting hard for Jane and Edward, which is exactly the point.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0780362/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/jane.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Lemming &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/5stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;I was immediately caught up and remained intensely involved to the last frame. I found the suspense scenes riveting. A dash of David Lynch in the middle and some Hitchcock sprinkled throughout make this a rather unconventional French film.&lt;br&gt;&lt;br&gt;Charlotte Gainsbourg is as sensual and sweet as ever. She does act a bit strange for a portion of the movie, but this is all implicitly explained later on. Contrary to other reviewers, I did not find it difficult to separate what was real from what was not. There was adequate explanation for everyone's actions. However, one must accept a paranormal premise in order to follow all of the twists.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0415932/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/lemming.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;Love Actually &lt;/font&gt;&lt;font size="2"&gt;(United Kingdom)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;This movie attempts to include every cliche from every romantic comedy ever made, particularly those starring Hugh Grant. And, as with most modern romantic comedies, relies heavily on scenes involving spontaneous, often bad, singing.&lt;br&gt;&lt;br&gt;Did that sound like I didn't like it? I gave it four stars because I'm a sucker for romantic comedies.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0314331/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/actually.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;The Widow of Saint-Pierre &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/5stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;This is a beautiful French film shot in Canada, with sterling performances by Juliette Binoche and Daniel Auteuil.&lt;br&gt;&lt;br&gt;When the movie starts, the story is stark and simple. seemingly mimicking the cold and unforgiving setting of the Canadian Northeast. As the film progresses, the hidden beauties of the landscape are revealed slowly. The cinematography at the end is positively stunning. Similarly, the relationships and idiosynchrasies of the lead characters are developed in a patient and methodical way, revealing unsuspected depths of character.&lt;br&gt;&lt;br&gt;The emphasis is on compassion, integrity, loyalty, responsibility and unlikely, yet controlled, passion and obsession. It becomes one of the rare films to concentrate more on character's motivations than on their actions.&lt;br&gt;&lt;br&gt;The film's title, along with an initial glimpse of the ultimate outcome burdens the viewer with a foreshadowing of an unhappy ending. This only adds to the bittersweet, but incredibly deep, investment one makes in the story and characters.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0191636/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/widow.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;Le Petit Lieutenant &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/3stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;Now here's an unusual French film: a detective story complete with autopsies, stabbings, shootings, DNA matching, investigative work, internal affairs, you name it. It was a good film, but it's hard to rate it more than three stars since this genre is certainly done a lot better and more frequently by Americans.&lt;br&gt;&lt;br&gt;It was about the equivalent of watching a couple old episodes of CSI, but with subtitles.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0431979/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/petit.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;My Mother's Castle &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;What a fun and fanciful romp through Provence with an endearing and credible family. Adapted from a novel by Marcel Pagnol, telling his memories of his own childhood and beautifully rendered as a film with Jean Pierre Darras providing superb narration. Pagnol is most famed for penning the novels Jean de Florette and Manon of the Spring. &lt;br&gt;&lt;br&gt;My Mother's Castle is actually the sequel to My Father's Glory. The film is absolutely fine on its own though if you don't care to watch the prequel first.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0099266/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/mother.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;After the Wedding &lt;/font&gt;&lt;font size="2"&gt;(Denmark)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/5stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;Susanne Bier, writer and director of the Danish film, After the Wedding, believes in telling stories loaded with truth and emotion. The story is compelling enough to hold one's interest throughout, but it's the acting that really captivates. The performance given by Sidse Babett Knudsen as the mother was possibly the best female acting I have ever seen. The woman could go from positively soft and endearing to terrifyingly harsh and cold-hearted without skipping a beat. There were several scenes where I found myself so caught up in her performance that I had to remind myself I was watching a film. Stine Fischer Christensen as Anna, Rolf Lassgard as Jorgen, and Mads Mikkelsen as Jacob were also very believable in their respective roles.&lt;br&gt;&lt;br&gt;Watch the short inteview with Susanne Bier on the DVD's special features. She reveals some of her process and insight in creating a masterpiece like After the Wedding.&lt;br&gt;&lt;br&gt;This movie evokes emotion and forces you to care about the characters with not one ounce of Hollywood heavy-handed manipulation. For the most part, the utter realism of the story, acting, and direction made me feel almost voyeuristic having such an intimate inside look as this family struggles with life-defining challenges.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0457655/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/after.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;The Lost Son &lt;/font&gt;&lt;font size="2"&gt;(France / UK)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;Intense crime drama follows one man's pursuit of some really despicable characters. It becomes personal when they go after one of his dearest friends.&lt;br&gt;&lt;br&gt;Daniel Auteuil is a special actor; this is the first English language film I've seen him in (and possibly the only one he's starred in). His English is not great, and his voice sounds much better speaking French, but because he does not try to do more than he can with the language, this does not create an insurmountable problem in the film. I have yet to see him in a role in which he does not perform at five star quality. He is one of those rare actors, like Deniro, Pacino, and Cage, who can be so versatile in so many varied roles, but is still distinctly recognizable.&lt;br&gt;&lt;br&gt;Natassja Kinski and Marianne Denicourt are excellent in small supporting roles.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0144286/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/lost.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;My Best Friend &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;All eight movies I've seen with Daniel Auteuil have earned 4 and 5 stars from me. He's shown some acting chops to so convincingly play both a despicable villian in &lt;i&gt;Jean de Florette&lt;/i&gt; and a gallant, devoted officer in &lt;i&gt;The Widow of Saint Pierre&lt;/i&gt;.&lt;br&gt;&lt;br&gt;In &lt;i&gt;My Best Friend&lt;/i&gt;, Auteuil evokes a bit of both the good and the bad in portraying a somewhat confused and selfish man searching for the definition of friendship. Dany Boon plays a very Tony Shalhoub-like trivia buff who has his own problems making friends. Together the two men form an entertaining and quite watchable pair.&lt;br&gt;&lt;br&gt;In a very clever twist, the movie contains a lengthy segment where Boon's character appears on the French &lt;i&gt;Who Wants to Be a Millionaire&lt;/i&gt;. What better than the 'Phone a Friend' lifeline to put a friendship to the test?&lt;br&gt;&lt;br&gt;The movie is mostly entertaining with the warmth of a romantic comedy. As I've said before, the French use cinema primarily as a means of exploring and evaluating human relationships of all kinds. This, like so many other French films, wryly steers clear of the predictable and formulaic, and strives to touch the viewer with both emotional and intellectual stimulation.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0778784/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/best.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Un Couer En Hiver &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;Un Coeur en Hiver (loosely translated: A Heart of Stone) features a great performance by French beauty Emmanuelle Beart. You may be pleasantly surprised to see how well she plays the violin. Daniel Auteuil is thoroughly believable (if not slightly off-putting) as the ultimate 'afraid of commitment' male.&lt;br&gt;&lt;br&gt;While watching this film, keep in mind that Beart and Auteuil had been in several movies together already (most notably, Manon of the Spring) and were probably living together when they made this; they ended up married the year this movie was released. They had a daughter together, but the marriage only lasted three years.&lt;br&gt;&lt;br&gt;The emotion in this film is palpable. The chemistry between Beart and Auteuil, even when it's negative, is obvious.&lt;br&gt;&lt;br&gt;The supporting cast does a fine job, and the violin performances add some tangible uplift to the overall somewhat disheartening plot.&lt;br&gt;&lt;br&gt;If you're like me, you'll be waiting for someone to grab Auteil, slap him hard, and ask "What is wrong with you? this woman is incredible!!!"&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0105682/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/coeur.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;Monsoon Wedding &lt;/font&gt;&lt;font size="2"&gt;(India)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;A colorful, joyful celebration combining Indian and Western cultures. I was not thrilled at the inclusion of a few heavy-handed subplots; it tended to take away from the lighthearted whimsy at the center of the story. However, I very much enjoyed the frequent scenes blending ancient Indian traditions and culture with what is obviously becoming a very Westernized modern nation.&lt;br&gt;&lt;br&gt;As often is the case with Indian movies, color, water, and luscious cinematography play a big part in portraying the story.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0265343/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/monsoon.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;Innocence &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/3stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;The French working title for the film translates to The School. Odd that they'd rename it as Innocence, although fitting I suppose since the girls wear all white all the time and frolic in the woods and swimming holes without a care in the world. As they grow older they draw nearer to the end of innocence: the release into the outside world.&lt;br&gt;&lt;br&gt;The film is a surreal fantasy. To try to understand it as anything else will certainly limit your enjoyment of it. If you wish to interpret it as something tangible, you will spend the entire movie wondering why the first scene shows a girl arriving at the school in a coffin. No explanation is given, and if you view the film as total fantasy, none is needed. If you intend to watch this film, sit back, relax, empty your mind of expectations, and enjoy the beautiful cinematography and the lighthearted innocence of young girls in the woods.&lt;br&gt;&lt;br&gt;Good news for folks with subtitle-phobia, dialog in this film averages about three words a minute.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0375233/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/innocence.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;The Butterfly &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;This is the third French film I've seen this year about an elderly person bonding with a young child. I guess the French are all about interpersonal relationships.&lt;br&gt;&lt;br&gt;This one has some great performances. Michel Serrault as the old man is perfect, as is Claire Bouanich as the precocious 8 year old girl.&lt;br&gt;&lt;br&gt;Fine for the whole family (as long as you can all understand French or read subtitles).&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0329485/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/butterfly.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Dirty Filthy Love &lt;/font&gt;&lt;font size="2"&gt;(United Kingdom)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/4stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;This is a difficult movie to want to watch. I had it at home for a month before finally watching it. But my wife and I were both glad we did see it.&lt;br&gt;&lt;br&gt;It is extremely well done. Michael Sheen's performance is Oscar caliber.&lt;br&gt;&lt;br&gt; However, I do not agree with this movie being billed and promoted as a romantic comedy. Although there are some light-hearted moments, the movie is nothing but serious. It is a quite sad look at the pain and anguish caused by mental illness, not just for the victim of the illness, but also for family, friends, and colleagues.&lt;br&gt;&lt;br&gt;The DVD includes the original trailer for the film which promotes it like it's the latest Hugh Grant romantic comedy, with quotes like "Savagely Funny" and "Outrageous Comedy". This "comedy" moved my wife to tears on several occasions.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0411291/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/dirty.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Wuthering Heights &lt;/font&gt;&lt;font size="2"&gt;(United Kingdom)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/3stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;I had anticipated a romantic tale of passion and was surprised to find a somewhat brutal film about relentless obsession, cruelty and violence. Heathcliff's character was quite cruel to everyone he came in contact with, treating women with contempt and physical violence. Catherine was flighty and unconcerned about the abuse, mistreatment, even physical violence sustained by her supposed true love at the hands of her brother. She even took part in the mockery of him.&lt;br&gt;&lt;br&gt;It was hard to see the forest (romance) for the trees (contempt and cruelty). I give it three stars for the fine performances from Juliette Binoche and Ralph Fiennes.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0104181/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/wuthering.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;Truly Madly Deeply&lt;/font&gt;&lt;font size="2"&gt; (United Kingdom)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/2stars1.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;As a longstanding Rickman fan, I had high hopes for this film. However
I was disappointed by the casting of Juliet Stevenson. After really
enjoying her performance in The Politician's Wife, I believe the
problem with Truly, Madly, Deeply is that Stevenson is not convincing
(for me) in such a frivolous role. Her laughter grated on my nerves and
was barely distinguishable from her crying (although when she cried,
her nose ran effusively, which gave a clue at least). In any case, she
was shrieking, crying and laughing hysterically for much of the movie,
and it made me feel sorry for the cast and crew.&lt;br&gt;&lt;br&gt;On an up note, Stevenson is superb in The Politician's Wife which has
little crying and even less laughter. Also, Minghella's Breaking and
Entering (Jude Law, Juliette Binoche, Robin Wright Penn) is one of the
best film's I've seen in some time.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0103129/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/truly.jpg" align="top" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;Mademoiselle &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/3stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;I would not recommend this to anyone who doesn't like French films a lot.&lt;br&gt;&lt;br&gt;It's a nice story with the requisite affair, although done with the least amount of sexuality I've ever seen in a French movie.&lt;br&gt;&lt;br&gt;My wife almost lost interest in the first half hour, I almost lost interest in the last half hour. But we both made it all the way through and agreed upon a three star rating.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0253225/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/madi.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;The Golden Door &lt;/font&gt;&lt;font size="2"&gt;(Italy)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/3stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;Some good and bad here -- the perfect three star movie. The intro by Martin Scorsese was unexpected and intriguing.&lt;br&gt;&lt;br&gt;Charlotte Gainsbourgh was cast against type as an English woman attempting to immigrate from Italy to the U.S. It seemed they almost wrote her into the script after it was finished.&lt;br&gt;&lt;br&gt;I'm still not sure how I felt about the bits of whimsical fantasy interspersed here and there. I think the movie was just a bit too heavy to support that kind of leavity.&lt;br&gt;&lt;br&gt;In the end, a good story directed and performed well is hard to dislike.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0465188/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/golden.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;"&gt;&lt;font size="3"&gt;Swimming Pool &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/2stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;This film suffers from trying to be a little too oblique. There are
several sequences that may or may not be dreams/fantasies. There's a character who may or may not be real. There's a little person. But I gave it three stars because it's entertaining, it has a lot of lovely French countryside, and it features a beautiful French girl.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0324133/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/swimming1.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Night Sun &lt;/font&gt;&lt;font size="2"&gt;(Italy)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/3stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;Natassia Kinsky and Charlotte Gainsbourgh add a bit of feminine beauty to this dark and disturbing saga.&lt;br&gt;&lt;br&gt;It was not difficult to understand what was happening in the story, but it was extremely hard to justify the actions. Seemingly arbitrary decisions that went against common sense made it difficult to become invested in the main character. A quite unsatisfying ending added to the disappointment.&lt;br&gt;&lt;br&gt;But with all that said, the movie's excellence in cinematography, acting and direction made it hard to consider a waste of time.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0100650/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/night.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Fear and Trembling &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/2stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;I was not pleased with this movie. I found it exaggerated and embarrassing, not to mention dull. The Japanese people in the office are all caricatures of real people with no developed personalities.&lt;br&gt;&lt;br&gt;I did not empathize with Amelie. It was hard to understand why she continued her experiment when it had so obviously failed. The only explanation I could see for her cleaning toilets for seven months was that she was planning to write a book about it later.&lt;br&gt;&lt;br&gt;I felt the screenplay came across a lot like a novel; unfortunately the sarcasm and wit didn't play as well on screen as they may have in printed form.&lt;br&gt;&lt;br&gt;A very long and tedious portion of the film has to do with Amelie's complete inability to use a calculator or copy numbers. Perhaps persons who share this affliction might relate, but I found it slightly incredible and certainly not interesting.&lt;br&gt;&lt;br&gt;Amelie's borderline sexual infatuation with her female boss was confusing and tangential. &lt;br&gt;&lt;br&gt;Finally, the fact that the entire film was shot in an office building, combined with the fact that there was only one character that was developed in any form, made this movie a very frustrating and tedious experience.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0318725/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/fear.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;To Be and To Have &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/2stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;I didn't get it.&lt;br&gt;&lt;br&gt;I found this movie to be unbearably slow. It was definitely the least informative documentary I've ever seen. There is no narration, and there are many minute-long or even longer cinematagraphic tangents of trees, snow, animals, etc.&lt;br&gt;&lt;br&gt;My children attend a French-American school in California, so I was hoping to gain a little insight into the French educational system. This movie did nothing more than show one man's country classroom and the surrounding idyllic pastoral environment. Granted, the man was a superbly patient and understanding teacher, but I really didn't learn anything by watching. I fast forwarded a lot towards the end.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0318202/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/tobe.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;
&lt;table style="width: 526px; height: 184px;" bordercolor="" cellpadding="" cellspacing="" frame="above"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="middle"&gt;&lt;font style="font-weight: bold;" size="2"&gt;&lt;font size="3"&gt;Private Property &lt;/font&gt;&lt;font size="2"&gt;(France)&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/3stars.gif" border="0" width="92"&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="width: 300px;" align="left" valign="top"&gt;&lt;font size="2"&gt;The film asks more questions than it answers. You're left knowing less at the end than you knew at the beginning.&lt;br&gt;&lt;br&gt;The performances were quite good, and the premise was promising. However the lack of resolution to just about every conflict and relationship introduced in the film left me feeling a bit frustrated.&lt;/font&gt;&lt;/td&gt;
&lt;td style="width: 120px;" align="center" valign="top"&gt;&lt;a href="http://www.imdb.com/title/tt0855895/" target="blank"&gt;&lt;img src="http://images.quickblogcast.com/2/3/9/6/2/135855-126932/private.jpg" border="0" width="110"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;br&gt;</description><comments>http://thewiyo.com/2008/06/15/foreign-film-reviews.aspx#Comments</comments><guid isPermaLink="false">d640f089-5028-4592-8754-d7e5f6e29c32</guid><pubDate>Sun, 15 Jun 2008 07:08:00 GMT</pubDate></item><item><title>Education in an Age of Globalization</title><link>http://thewiyo.com/2008/06/13/education-in-an-age-of-globalization-2.aspx?ref=rss</link><dc:creator>Kimberly</dc:creator><description>&lt;font size="1"&gt;&lt;span style="font-weight: bold;"&gt;source: &lt;/span&gt;&lt;a style="font-weight: bold;" target="_blank" href="http://www.asiasociety.org/speeches/eskew05.html"&gt;Asia Society&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/font&gt;
&lt;p style="font-weight: bold;" align="center"&gt;&lt;font size="2"&gt;States Institute on International Education&lt;/font&gt;&lt;/p&gt;
&lt;p align="center"&gt;&lt;font size="1"&gt;&lt;b&gt;Michael Eskew&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;font size="1"&gt;&lt;span&gt;Chairman and Chief 
Executive Officer, &lt;span onmouseover="badbuster_com_showBox(this, 70, 1)" style="border-bottom: 2px solid rgb(252, 208, 0); display: inline; font-size: 100%; float: none; width: auto; height: auto;" onmouseout="badbuster_com_hideBox()"&gt;United Parcel&lt;/span&gt;&lt;/span&gt; Service&lt;/font&gt;&lt;/p&gt;
&lt;p align="right"&gt;&lt;font size="1"&gt;Washington DC, December 8, 2005&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Thank you for that kind introduction and good evening, everyone.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;It’s a privilege to be here tonight, in the company of so many people who 
play an incredibly important role in the future development of our nation.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;There is no issue more critical to our country’s long-term competitiveness, 
health and well-being than the quality of our education system.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The world is changing.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Business is changing.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Our society is changing.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;And, as you have made it clear – the way we teach and nurture our future 
leaders must also change.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In times of extraordinary transformation, it’s natural to feel that we’re 
somewhat unique – that we’re experiencing changes no one else ever had to deal 
with.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;While that’s partly true, we should also take comfort in the fact that others 
before us experienced similar challenges as we face today and rose to meet 
them.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Washington, with the rich history that surrounds us here, is a great backdrop 
for such a discussion.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;For instance, if you think back to what Abraham Lincoln and the Congress of 
1860 were facing– it was remarkably similar to what we’re going through 
today.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;And no, I’m not talking about the Civil War.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;I’m talking about an often overlooked issue of that day: a transforming 
economy and jobs.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Then, sweeping economic change threatened a largely agricultural economy and 
a rural, insular way of life.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In quick succession, steamboat service was introduced. Scores of canals were 
constructed. Thousands of miles of railroad track were laid. And countless 
telegraph lines were strung throughout the nation.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;It was a time of groundbreaking innovation.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Almost overnight, large numbers of what had been generally self-sufficient 
local economies found themselves caught up in a changing and expanding national 
economy.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Competition no longer came from the next town. It came from producers in many 
parts of the country, and even from industries abroad.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;People began traveling farther and more often.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Yet, there was tension then, too. Economic growth was not a vertical line 
upward.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Financial crises occurred … like the panic of 1857.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;That produced sharp increases in unemployment… large numbers of bankruptcies… 
and runs on banks.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Not surprisingly, many resented the developments that led to this 
volatility.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Most Americans still thought of themselves primarily as Kansans or 
Kentuckians or Virginians. They identified with their states.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;To many, the erosion of the economic boundaries separating communities and 
states … and the increasing competition from other regions and Europe … came as 
a big shock.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Protectionist pressures were strong.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In 1860, when Lincoln and a Republican Congress came to power … the 
administration pushed forward four broad policies:&lt;/font&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;font size="2"&gt;Help Americans get a stake in their nation by increasing their opportunity 
to own property and establish businesses. 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Assign a role for government to support the economic, educational and 
technological changes taking hold at the time. 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Establish a transcontinental railroad. 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;And realize that a period of turmoil, while potentially a barrier to reform, 
may also present a unique opportunity. &lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;font size="2"&gt;The rest, of course, is history:&lt;/font&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;font size="2"&gt;A collection of states became a nation. 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;A climate for Americans to capitalize on innovation and emerging 
technologies was created. A rising class of entrepreneurs and property owners 
flourished. /li&amp;gt; &lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;font size="2"&gt;The stage was set for the American economy to dominate the 20th century.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Ask an educator and they’ll tell you that we can learn a lot from history. 
I’ve done a lot of asking over the years – my wife is a teacher.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Now, we must compete in a 21 st century world economy.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;And like what Lincoln promoted, it’s going to take a multi-lateral approach, 
engaging every corner of society.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;I’ve given a number of public speeches over the past several years that deal 
with global trade, business transformation and education.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;You could say it’s enlightened self interest to do so. After all, I work for 
a company that is entrenched in the global economy … and has a lot riding on its 
continued development.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;On any given day, about two percent of everything produced in the world is 
delivered in the back of those beautiful brown trucks you see rolling through 
the streets of your hometowns.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;But this issue goes further than my professional interest. Much further.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;As a father, citizen, and someone who cares deeply about global trade, global 
prosperity and global harmony, I feel it’s our mission to help prepare people 
for a world that is coming closer together through trade.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;That said, I applaud the work you folks are doing at the States Institute, 
and am heartened to see so much progress being made to advance international 
education in our schools.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;I went to &lt;a href="http://www.internationaled.org/"&gt;InternationalEd.org&lt;/a&gt; 
and counted no less than 20 states involved in programs ranging from:&lt;/font&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;font size="2"&gt;Student and teacher exchange programs with China 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;New multi-language curricula 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;International trade literacy 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Global communication technologies 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;And the list goes. &lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;font size="2"&gt;It’s clear to me that you are well on your way towards effectively changing 
the way we teach the next generations of Americans. But I also recognize from 
talking with many of you, that your work in many ways has just begun.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Don’t feel alone. We’re all in this together. Business. Government. 
Education. Parents. And students.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In the time remaining tonight, I think maybe the best value I could bring to 
you is to outline six specific traits we’re looking for in future employees at 
UPS as we engage even further in world trade.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;We need people who are:&lt;/font&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;font size="2"&gt;Trade literate 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Sensitive to foreign cultures 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Conversant in different languages 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Technology savvy 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Capable of managing complexity 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Ethical &lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;font size="2"&gt;These six traits have bearing on the kinds of education needed to bring 
people to the workplace who are equipped to succeed in the global economy.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;And, by the way, while I’ll use UPS examples, I don’t speak just on behalf of 
our company tonight. Over the past few years, I’ve participated on a number of 
boards, committees and agencies – from the Business Roundtable to the 
President’s Export Council to the U.S.-China Business Council. I spend a lot of 
time talking to fellow business and government leaders, and I can tell you that 
we’re all very aligned in our thinking.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The same kind of thinking expressed by Melodie O’Hanlon, an English teacher 
at Berkeley Springs High School in West Virginia.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Listen to what Miss O’Hanlon says: “Understanding the true economic, social 
and political forces at work in the world is essential in solving problems on a 
local and global level.”&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;This gets to the heart of the first trait I’ll talk about – people who are 
global trade literate. In other words people who understand the basics of 21 st 
century trade and economics.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;One could argue – and I have over the years – that a major reason that the 
term “globalization” has come to mean a menacing force in the minds of many is 
that we haven’t done a good job promoting trade literacy in this nation.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The business community in particular.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Tom Friedman, a good friend of UPS and educators everywhere, recently wrote a 
column about this.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Tom contends America’s leading businesses and business leaders have been too 
quiet. While the opponents of globalism have been loud.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Last year, during the national elections, we even saw global trade cast as 
political wedge issue.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;And that’s a shame.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Education, hopefully, will change that perception.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;At UPS we’ve started a companywide initiative to teach an ongoing global 
trade curricula to every UPSer. We’re utilizing our employee web site, as well 
as one-to-one meetings with drivers, management discussions and other 
channels.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;And we’re also staging conferences around the world with people like Tom 
Friedman, Jimmy Carter, FW de Klerk, Vaclav Havel and George Bush Sr. to elevate 
discussion about global trade and supply chain issues.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;As our business moves further into both of these areas – trade and supply 
chain -- we’ve seen a dramatic demand for people skilled in global trade 
jobs.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In fact, we’ve added over 20,000 supply chain jobs in the last five 
years.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Wall Street Journal recently described supply chain professions as “the 
kind of high value work that international trade produces. Jobs that our nation 
needs right now to offset losses in other industries.”&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The second trait we look for are people who are adaptable and sensitive to 
foreign cultures.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In 1976, I was among the first wave of American UPSers to work in our 
fledgling international operations. I was sent to Germany and it was an 
eye-opening experience.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Let’s just say we weren’t as cross-culturally astute as we are today. We've 
learned some lessons the hard way over the years.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;During the build-up of our business in Europe, we were challenged with 
integrating 16 acquired companies.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The integration of those acquired companies into our organization was the 
biggest stumbling block to our international expansion.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Unfortunately, our first impulse then was to behave more like commandos 
instead of teachers, partners, and consultants.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Our attitude was often, "You stand over there and watch how we do this, then 
do it exactly the same way." In short, it was, "the UPS way or no way."&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Well, that didn't work and our business suffered.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Things only got better when we found the right blend of UPS culture, 
capabilities, and local knowledge. We knew we had acquired valuable operations 
in valuable markets. Our job should be to make it better, not make it over.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;When we focused our coaching into areas where significant improvement was 
needed and left the rest alone, things improved.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;We learned that local employees lend more credibility to the local customer 
base because they understand the culture, language, legal system and business 
practices.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;We learned that integrating acquired companies means balancing both parties’ 
expectations, while creating a climate of trust, inclusion and cooperation.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;People who are sensitive to foreign cultures will always have a home at 
UPS.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Part of that adaptability and sensitivity comes with the third trait we look 
for -- foreign language skills.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;When I was a kid, growing up in Southern Indiana, I never thought about 
foreign languages. Now, it is essential to expose children to different 
languages and cultures.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Today, in American schools, one million students study French - a language 
spoken by 70 million people. Fewer than 50,000 American students study Chinese, 
a language spoken by more than a billion people.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;During a recent trip to China, I heard an interesting statistic: There are 
more people learning to speak English in China right now than there are English 
speakers in the United States.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In very short order, the United States will become the third largest English 
speaking country – behind India and China.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;At UPS we serve 200 countries and over 150 languages. We have web sites 
translated into 22 different languages.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Foreign language skills are essential to our business and will be even more 
so in the years ahead as we expand our footprint in Asia and the rest of the 
developing world.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;One universal language that is vital to UPS is technology.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In fact, the fourth trait we look for in people to help us with our 
international business is technology skills.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Global technologies and usage patters greatly impact our lives and our 
businesses.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Think about the developing world … while lacking in wired resources they 
actually have leapfrogged the Western world in wireless usage and 
application.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;China today, for instance, adds five million new cellular customers every 
month.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;And as you know, China and India are producing millions of bright new 
engineers, scientists, materials researchers, software developers and other 
technology professionals.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In the area of engineering alone, the U.S. ranks 17 th in producing new 
talent.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;As a Sputnik-inspired engineer myself, this concerns me. We have over 10,000 
engineers at UPS and that demand will only increase in the coming years.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Technology is central to our mission at UPS of being able to serve every 
customer -- whether they’re in Boston or Bangkok -- as if they’re our only 
customer.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Without these kinds of capabilities it would be impossible to compete in a 
global economy. Customers demand more services and more responsiveness.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Technology is the great enabler.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Here’s a simple example of how technology impacts just one area of UPS.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Six years ago during the Holiday season, we received 600,000 service calls - 
mostly tracking inquiries. The cost per call was $2 dollars.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;This year, those same inquiries are being handled over the Internet. By the 
end of the Holiday season, we will have handled more than 12 million of them 
that way, at about one cent per call.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Greater service for our customers at lower costs.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;&lt;span&gt;New technologies, new competitors and disruptive business models are 
accelerating at a furious pace – just look at the extraordinary rise of &lt;span onmouseover="badbuster_com_showBox(this, 229, 0)" style="border-bottom: 2px solid rgb(252, 208, 0); display: inline; font-size: 100%; float: none; width: auto; height: auto;" onmouseout="badbuster_com_hideBox()"&gt;iPod&lt;/span&gt;&lt;/span&gt;&lt;span&gt;, &lt;span onmouseover="badbuster_com_showBox(this, 61, 1)" style="border-bottom: 2px solid rgb(252, 208, 0); display: inline; font-size: 100%; float: none; width: auto; height: auto;" onmouseout="badbuster_com_hideBox()"&gt;Google&lt;/span&gt;&lt;/span&gt;&lt;span&gt;, &lt;span onmouseover="badbuster_com_showBox(this, 246, 1)" style="border-bottom: 2px solid rgb(255, 0, 0); display: inline; font-size: 100%; float: none; width: auto; height: auto;" onmouseout="badbuster_com_hideBox()"&gt;eBay&lt;/span&gt;&lt;/span&gt; and other “flatteners,” as 
Tom Friedman would call them.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;These kinds of forces, compounded on a global level, are also why we look for 
people who can manage complexity and uncertainty.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;This is the fifth trait we look for – people who can learn how to learn.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;While information is much richer today – complexity and uncertainty have not 
abated. In fact, they’ve increased.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;That’s also why we want to make it possible for people to have six or more 
different jobs in the course of a career at UPS. In fact, we think it’s the key 
to our management longevity, which we consider a distinct competitive 
advantage.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Today, the average UPS manager has been with the company over 16 years and 
has had at least six different assignments – many of them international-related 
assignments.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Being able to manage complexity … and learning how to learn is a trait we 
will always value. One of the great attributes of a liberal arts education is 
preparing people to learn how to learn. So we absolutely believe that 
traditional liberal arts educations still have an important role to play in 
American society.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Another tradition that has never been more important to America as it engages 
in a global marketplace is ethical behavior … which is the sixth trait we look 
for in our people.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Business integrity and diplomacy have been under the microscope in recent 
years. And that’s too bad … because the vast, vast majority of American business 
leaders, like educators, play an essential and honorable role every day of their 
lives.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Outside the U.S., widespread negative perceptions of our country still 
persist.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The business community can play a big role in fixing this tarnished 
image.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;In fact, I believe we’ve entered an era where business diplomacy trumps 
political diplomacy.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The world has become so integrated economically that the vast majority of 
influence … the greatest force that impacts the greatest number of lives 
internationally … is business.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Our actions and our beliefs are not only shaping the perceptions of our 
companies abroad but they are forming impressions about our nation and the 
ideals for which it stands.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;It’s a huge responsibility – one we must manage with care and diligence.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;&lt;span&gt;I recently spoke at &lt;span onmouseover="badbuster_com_showBox(this, 330, 0)" style="border-bottom: 2px solid rgb(252, 208, 0); display: inline; font-size: 100%; float: none; width: auto; height: auto;" onmouseout="badbuster_com_hideBox()"&gt;Bentley&lt;/span&gt;&lt;/span&gt;&lt;span&gt; College up in 
Boston. Many of you are probably aware that &lt;span onmouseover="badbuster_com_showBox(this, 330, 0)" style="border-bottom: 2px solid rgb(252, 208, 0); display: inline; font-size: 100%; float: none; width: auto; height: auto;" onmouseout="badbuster_com_hideBox()"&gt;Bentley&lt;/span&gt;&lt;/span&gt; pioneered the study of 
business ethics in American higher education. I applaud their work.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;At the same, we need to make sure that those foundations of ethics are 
grounded in students long before they reach the collegiate level. Our schools, 
our families, our businesses and our communities all have roles to play in this 
regard.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;At UPS all of our managers are certified each year on compliance and foreign 
business practice issues.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;“Doing well by doing right” has been a philosophy that has served UPS well in 
our 98 years of business and will continue to.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Tonight, I’ve outlined six attributes that we look for in people who will 
help guide our company in an expanding global economy. People who will guide 
most American companies. People who are:&lt;/font&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;font size="2"&gt;Trade literate 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Sensitive to foreign cultures 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Conversant in different languages 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Technology savvy 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Capable of managing complexity 
&lt;/font&gt;&lt;/li&gt;&lt;li&gt;&lt;font size="2"&gt;Ethical &lt;/font&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;font size="2"&gt;Everyone here tonight plays a big part in helping us not only attract the 
right people … but in succeeding in this complex, challenging, invigorating and 
opportunity-rich world of change.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;By promoting international education in our schools, you’re promoting 
America’s business interests … social interests and cultural interests.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;On behalf of all my fellow business leaders around the country, I want to 
thank you for all hard work and dedication you put into this most noble 
cause.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;We need you. We value you. And we want to continue working closely with you 
in the years ahead.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Thank you again for your time and attention this evening.&lt;/font&gt;&lt;/p&gt;&lt;br&gt;</description><comments>http://thewiyo.com/2008/06/13/education-in-an-age-of-globalization-2.aspx#Comments</comments><guid isPermaLink="false">adb350ad-9fb2-4414-b63d-4f03bca529d7</guid><pubDate>Fri, 13 Jun 2008 10:04:00 GMT</pubDate></item></channel></rss>
